Gill Wilson creates her pure fibre pulp from natural straw, a sustainable resource. The straw is soaked, washed and pulped into the desired consistency. The process is labour intensive and uses many of the traditional methods of Japanese paper makers going back hundreds of years.

The pulp is then drawn (seen here) or lifted onto screens and allowed to dry in thin but complex layers. The fibrous nature of the pulp makes it strong while being featherweight. Once the layers are dry Gill builds up her sculptural forms which enable a play of light and retain a sense of the purity of the material from which they are made.

Her multi-layered artworks are presented  in museum quality acrylic cases, and can also be commissioned in traditional painted wood frames, though these required the number of layers to be modified. Enquiries to discuss options are welcome as all works are made to order to suit individual requirements.

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    More from this artist

    Interlock I: a multilayered paper artwork by Gill Wilson shown unframed mounted on a wall
    Interlock
    Interlock: a multilayered artwork by Gill Wilson shown leaning against a wall in its perspex case
    Interlock (Blue)
    A paper artwork in four layers entitled FIELD by Gill Wilson Paperworks shown in an museum quality acrylic frame
    Field
    Woven, a multilayered artwork by Gill Wilson shown in a room set leaning against a wall
    Woven
    Multilayered paper artwork in perspex frame entitled 'Interwoven' by Gill Wilson
    Interwoven
    Paper pulp artwork by Gill Wilson entitled Interwoven shown in wood frame leaning against wall in room set
    Interwoven (Glazed frame)
    Tapestry I by paper maker and artist Gill Wilson in perspex frame
    Tapestry I
    Tapestry II by paper maker and artist Gill Wilson
    Tapestry II